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Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D
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Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D
Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25
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Media ID 20133352
© /Heritage Images
Afghan Afghani Afghanistan Alexander Iii Of Macedon Alexander Iii Of Macedonia Alexander The Great Alexander The Great King Of Macedonia Banquet Carpet Carpets Cross Legged Feast Five Treasures Ganjavi Ganjavi Nezami His Majesty Indian Miniature Instrument Instruments Iran Iranian Iskandar Iskander Khamsa Of Nizami King Of Macedonia Legs Crossed Macedonia Macedonian Miniature Musicians Nezami Nezami Ganjavi Nizami Nur Sultan Muhammad Panj Ganj Persia Persian Persian Carpet Perso Arabic Safavid Dynasty Script Soft Furnishing Sultan Muhammad Sultan Muhammad Nur Turban Turbans Gold Colour Head Dress
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This stunning print captures a captivating moment in history - "Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D. 1524-25". The image showcases the legendary Alexander III of Macedon, also known as Alexander the Great, during an opulent feast. In this vibrant Persian miniature painting, Alexander is depicted with his legs crossed and adorned in regal attire. His majestic presence is enhanced by the intricate details of his golden headdress and richly colored garments. As the King of Macedonia, he exudes power and authority. The banquet scene itself is filled with sumptuous Persian carpets that add warmth to the composition. The artist has skillfully captured every element of this lavish gathering - from the delectable food on display to the musical instruments being played in celebration. This artwork belongs to Sultan Muhammad Nur's collection and serves as a testament to his appreciation for heritage art. It offers us a glimpse into ancient literature and cultural traditions through its depiction of scenes from Nezami Ganjavi's Khamsa (Quintet). This masterpiece reflects both Iranian and Afghan influences within its Perso-Arabic style. Preserved by The Metropolitan Museum of Art, this 16th-century print continues to captivate viewers with its vivid colors and meticulous attention to detail. It stands as a reminder of our shared human history and invites us to appreciate the beauty found within different cultures across time.
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