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Economy, 1816 (hand-coloured engraving)

Economy, 1816 (hand-coloured engraving)


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Economy, 1816 (hand-coloured engraving)

2562149 Economy, 1816 (hand-coloured engraving) by Cruikshank, Isaac Robert (1789-1856); Private Collection; (add.info.: George IV of the United Kingdom (12 August 1762 - 26 June 1830).); The Stapleton Collection; English, out of copyright

Media ID 22261304

© The Stapleton Collection / Bridgeman Images

Bottles Brougham Economy Excess George Iv Gluttony John Bull Prince Regent Punch Bowl Caricatures Mcmahon


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > John Bowles

> Arts > Artists > C > George Cruikshank

> Arts > Artists > C > Isaac Cruikshank

> Arts > Artists > C > Isaac Robert Cruikshank

> Arts > Artists > C > Robert Cruikshank

> Arts > Artists > J > John June

> Arts > Artists > P > George Prince

> Arts > Pop art > Satire > Satirical artwork

> Fine Art Finder > Artists > George Cruikshank

> Fine Art Finder > Artists > Isaac Robert Cruikshank

> Fine Art Finder > Cartoons, Caricatures & Humour

> Popular Themes > Politics


EDITORS COMMENTS
This hand-coloured engraving from 1816, titled "Economy" offers a fascinating glimpse into the political and social climate of the time. Created by Isaac Robert Cruikshank, it captures an array of characters and symbols that reflect the state of the economy during George IV's reign. At first glance, one cannot help but notice the opulent table filled with excessive food and drink. The central figure is Lady Hertford, known for her lavish lifestyle and close relationship with the Prince Regent. Surrounding her are various caricatures representing different aspects of society: John Bull, symbolizing England; Brougham, a prominent politician; McMahon, a courtier; and many others. The satirical nature of this print becomes evident as we observe their gluttonous behavior around a punch bowl overflowing with excess. It serves as both a critique on societal indulgence and commentary on George IV himself. Known for his extravagant spending habits, he became synonymous with wastefulness in public opinion. Through clever use of caricature and symbolism, Cruikshank highlights issues such as economic inequality and political corruption prevalent at that time. This print not only showcases his artistic talent but also acts as a historical document capturing an important period in British history. As part of The Stapleton Collection held in private hands today, this engraving remains an invaluable piece shedding light on early 19th-century society while reminding us to reflect upon our own economies' strengths and weaknesses throughout history.

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