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The Prince of Whales or The Fisherman at Anchor, 1812 (coloured engraving)
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The Prince of Whales or The Fisherman at Anchor, 1812 (coloured engraving)
LMG162287 The Prince of Whales or The Fisherman at Anchor, 1812 (coloured engraving) by Cruikshank, George (1792-1878); Leeds Museums and Art Galleries (Temple Newsam House) UK; eLeeds Museums and Galleries; English, out of copyright
Media ID 22605034
© Leeds Museums and Galleries / Bridgeman Images
George Iv Marine Mammal Neptune Prince Regent Sea Mammal Turtle Whale Regency
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The Prince of Whales or The Fisherman at Anchor, 1812
EDITORS COMMENTS
is a captivating coloured engraving by George Cruikshank that transports viewers to the turbulent world of British politics during the Regency era. This satirical masterpiece, housed in Leeds Museums and Art Galleries, showcases Cruikshank's exceptional talent for blending wit and artistry. In this whimsical scene, we find ourselves amidst a sea of politics as the larger-than-life figure of the Prince Regent (later known as George IV) takes center stage. Dressed in regal attire with a crown perched atop his head, he assumes the form of Neptune - ruler of the seas. However, instead of commanding respect and awe, he appears comically out-of-place alongside marine creatures like whales and turtles. Cruikshank's sharp caricature highlights not only the prince's extravagant lifestyle but also his perceived detachment from reality. As he anchors himself to power, oblivious to the struggles faced by ordinary fishermen represented here by an anchor-wielding sailor - it becomes clear that political satire lies at the heart of this artwork. Through clever symbolism and meticulous detailing, "The Prince of Whales or The Fisherman at Anchor" invites us to reflect on power dynamics within society. It serves as a reminder that even those who hold immense authority can be subject to ridicule when their actions are deemed self-serving or disconnected from public sentiment. This timeless engraving continues to captivate audiences with its blend of humor and social
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