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Captivity of King Jehoiachin of Israel, reconstruction of a wall painting originally in the Painted Chamber of the Palace of Westminster

Captivity of King Jehoiachin of Israel, reconstruction of a wall painting originally in the Painted Chamber of the Palace of Westminster


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Captivity of King Jehoiachin of Israel, reconstruction of a wall painting originally in the Painted Chamber of the Palace of Westminster

BBC211007 Captivity of King Jehoiachin of Israel, reconstruction of a wall painting originally in the Painted Chamber of the Palace of Westminster by Tristram, Professor Ernest (1892-1952); Palace of Westminster, London, UK; (add.info.: reconstructed from sketches made before they were destroyed;)

Media ID 31713182

© Bridgeman Images

14 14th Xiv Xivth Fourteenth Century Babylonian 1300s 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century C14th Late 14th Century The 14th Century Xiv Century Xiv Secolo Xivth Century


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > B > Babylonian Babylonian

> Asia > Israel > Related Images

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Sights > Palace of Westminster

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Professor Ernest Tristram

> Fine Art Finder > Artists > Wilhelm Schulz

> Fine Art Finder > Old Testament


EDITORS COMMENTS
The captivating print showcases the reconstruction of a wall painting that was originally housed in the Painted Chamber of the Palace of Westminster. Created by Tristram, Professor Ernest (1892-1952), this remarkable piece depicts the "Captivity of King Jehoiachin of Israel". Transporting us back to the 14th century, or more specifically, the late 1300s, this artwork offers a glimpse into an important biblical event. King Jehoiachin is seen surrendering to Babylonian soldiers as he reigned over Judah. The scene exudes a sense of solemnity and resignation as we witness his captivity. What makes this particular rendition even more fascinating is its historical significance. The original sketches were destroyed long ago, but thanks to meticulous reconstructions based on those initial drawings, we are able to appreciate and study this masterpiece today. The artist's attention to detail shines through in every brushstroke. From the intricate crown adorning King Jehoiachin's head to the medieval architecture surrounding him, each element transports us further into this ancient world. This print not only serves as a testament to Christian religious history but also highlights humanity's enduring fascination with biblical narratives. It stands as a reminder that art has always played an essential role in preserving our collective past and allowing it to resonate with future generations.

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