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Kissing Hands, published 1827 (colour litho)
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Kissing Hands, published 1827 (colour litho)
STC204389 Kissing Hands, published 1827 (colour litho) by Heath, William (1795-1840); Private Collection; (add.info.: ridiculing British politicians sucking up to Caroline of Brunswick (1768-1821); consort of Prince of Wales and queen of Great Britain and Ireland 1820-21; left England for exile in Italy in 1814 returning in 1820 after death of George III; George IV began divorce proceedings against her, but she had overwhelming support of public and parliament; ); The Stapleton Collection; English, out of copyright
Media ID 23357848
© The Stapleton Collection / Bridgeman Images
Courtiers Flattering Judge Obsequious Political Satire Fawning Kowtowing Sycophantic
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EDITORS COMMENTS
Kissing Hands, published in 1827, is a captivating colour lithograph that offers a satirical glimpse into the political landscape of 19th-century Britain. Created by William Heath, this print ridicules British politicians who shamelessly fawn over Caroline of Brunswick, the controversial queen consort. Caroline's tumultuous life and her overwhelming support from both the public and parliament make her an intriguing figure to explore. In this artwork, we witness politicians kneeling before her in a display of obsequiousness and sycophancy. The cartoon-like portrayal accentuates their exaggerated flattery as they compete for favor within the court. Heath's keen eye for detail is evident in his depiction of each character: from the judge on his throne to the courtiers surrounding him. Through biting satire, he captures not only their kowtowing behavior but also highlights their insincere motives. This print serves as a reminder that even those in positions of power can be subject to ridicule when their actions are deemed hypocritical or self-serving. It reflects broader themes prevalent during that era - questioning authority and exposing political machinations. The Stapleton Collection proudly houses this remarkable piece which continues to captivate viewers with its timeless relevance. As we gaze upon "Kissing Hands" we are transported back to an era where political satire held immense power and artists like William Heath fearlessly used their talents to challenge societal norms.
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