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Playing cards depicting episodes from the Glorious Revolution of 1688-89, c

Playing cards depicting episodes from the Glorious Revolution of 1688-89, c


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Playing cards depicting episodes from the Glorious Revolution of 1688-89, c

XJF322578 Playing cards depicting episodes from the Glorious Revolution of 1688-89, c.1689 (etching) by English School, (17th century); Private Collection; (add.info.: the illustrations focus mainly on religious themes during the coup of 1688-9 when the Dutch King of Holland, William of Orange, deposed his father-in-law, King James II and seized the throne of England; printed as Protestant and anti-Catholic propaganda; ); English, out of copyright

Media ID 22664230

© Bridgeman Images

Escape Hearts Papists


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> Arts > Artists > H > James Holland

> Arts > Artists > I > Irish School Irish School

> Arts > Artists > I > William Ireland

> Arts > Artists > J > William James

> Europe > United Kingdom > England > Posters

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Louis-Francois (1702-62) Roubillac

> Fine Art Finder > Ephemera And Silhouettes

> Popular Themes > Religious Images


EDITORS COMMENTS
This print showcases a set of playing cards that vividly depict key episodes from the Glorious Revolution of 1688-89. Created by an anonymous English School artist in the 17th century, these etchings were intended as powerful Protestant and anti-Catholic propaganda during a time of political upheaval. The illustrations on these cards primarily revolve around religious themes, reflecting the significant role religion played in this historic coup. The Glorious Revolution saw William of Orange, the Dutch King of Holland and son-in-law to King James II, depose his father-in-law and seize the throne of England. As such, these cards serve as both a visual narrative and a tool for spreading Protestant ideals. Each card tells its own story: images depicting Ireland's escape, priests, lillybullero (a popular protest song), hearts symbolizing loyalty to Protestantism, papists representing Catholicism's perceived threat to England's stability, flight scenes capturing dramatic escapes from persecution, and references to prominent figures like Tyrconnel or Tyrconnell. Preserved within a private collection today but originally printed centuries ago with no copyright restrictions attached; this artwork offers us valuable insights into one of Britain's most pivotal moments in history. It serves as a reminder not only of past conflicts but also how art has been used throughout time to convey political messages and shape public opinion.

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