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Rainy day in Boston, by Frederick Childe Hassam, 1885, oil on canvas

Rainy day in Boston, by Frederick Childe Hassam, 1885, oil on canvas


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Rainy day in Boston, by Frederick Childe Hassam, 1885, oil on canvas

Frederick Childe Hassam (1859-1935). Rainy day in Boston, 1885. Oil on canvas

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9573043

© DEA PICTURE LIBRARY

Boston City City Life Cityscape Diminishing Perspective Massachusetts Oil On Canvas People In The Background Rain Walking


EDITORS COMMENTS
Rainy Day in Boston, captured by Frederick Childe Hassam in 1885, is a mesmerizing oil on canvas masterpiece that transports us back to the bustling streets of 19th century Massachusetts. This enchanting print showcases the artist's exceptional ability to depict the charm and ambiance of a wet cityscape. Hassam skillfully portrays the rainy day atmosphere with his delicate brushstrokes, creating an almost tangible sense of moisture in the air. The architecture of Boston's buildings stands tall and proud amidst the rain-soaked streets, adding a touch of historical significance to this scene. As we explore this artwork further, our eyes are drawn towards the figures gracefully walking through the rain-soaked sidewalks. Their umbrellas provide shelter from nature's downpour as they navigate through their daily lives. In the background, other individuals can be seen going about their business, adding depth and realism to this snapshot of city life. The diminishing perspective employed by Hassam adds depth and dimensionality to this composition. It draws our gaze into the distance where horse-driven carts traverse along cobblestone roads, reminding us of a time long gone. This evocative piece invites us to step into history and experience both the beauty and challenges presented by inclement weather in one of America's most iconic cities. Through Hassam's masterful brushwork, Rainy Day in Boston becomes more than just art; it becomes a portal into another era.

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