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The four great alchemists, 1652. Artist: Robert Vaughan

The four great alchemists, 1652. Artist: Robert Vaughan


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The four great alchemists, 1652. Artist: Robert Vaughan

The four great alchemists, 1652. From left to right: Al-Jabir (Geber, 14th century Spanish); Arnald or Arnold of Villanova (Spanish, c1240-c1310); Rhazes (Abu Bakr Abu Bakr al-Razi, 9th century Persian); the legendary Hermes Trismegistes. They are portrayed looking down on workers in a laboratory. From Theatrum Chemicum Britannicum by Elias Ashmole. (London, 1652)

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Media ID 14864546

© Oxford Science Archive / Heritage-Images

9th Century Alchemist Alchemy Ashmole Border Chemistry Elias Elias Ashmole Insect Iran Iranian Laboratory Laboratory Equipment Legend Legendary Mythical Figure Oxford Science Archive Persia Persian Scientist Vaughan Abu Bakr Geber Rhazes Thirteenth Century Villanova


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> Arts > Art Movements > Medieval Art

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> Europe > United Kingdom > Scotland > Highlands > Alness


The Four Great Alchemists, 1652

EDITORS COMMENTS
is a captivating print that showcases the legendary figures of alchemy from different time periods and regions. Painted by Robert Vaughan, this artwork captures the essence of their wisdom and influence on the field of science. From left to right, we see Al-Jabir (Geber), a Spanish alchemist from the 14th century known for his groundbreaking experiments in chemistry. Next is Arnald or Arnold of Villanova, a Spanish scholar who lived between c1240-c1310 and made significant contributions to medicine and alchemy. Rhazes (Abu Bakr Abu Bakr al-Razi), a Persian physician from the 9th century renowned for his advancements in medicine, stands beside him. Lastly, we have Hermes Trismegistes, a mythical figure associated with ancient wisdom and spirituality. The four great alchemists are depicted observing workers in a laboratory below them. This image symbolizes their intellectual superiority as they oversee scientific progress being made by others. The intricate border surrounding the scene adds decorative elements inspired by Islamic art. This print originates from "Theatrum Chemicum Britannicum" written by Elias Ashmole in London during 1652. It provides us with an insight into the world of medieval alchemy and its practitioners across various countries such as Spain, Persia (Iran), France, and England. Overall, this artwork serves as a reminder of humanity's quest for knowledge through centuries past while highlighting these remarkable individuals' contributions to scientific advancement.

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