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The Apotheosis of the Duke of Buckingham, c1900, (1936)
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The Apotheosis of the Duke of Buckingham, c1900, (1936)
The Apotheosis of the Duke of Buckingham, c1900, (1936). George Villiers (1592 - 1628) was created Duke of Buckingham in 1623. He was the powerful favourite of James I and Charles I. After Peter Paul Rubens (1577-1640). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]
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Media ID 14984987
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1st Duke Of Buckingham Apotheosis Buckingham Cape Charles I Charles Stuart Defender Of The Faith Duke Of Duke Of Buckingham Fell George Villiers Glory H Granville H Granville Fell International Studio James I James Vi James Vi Of Scotland King Charles I King James I King James Vi Of Scotland King Of England King Of Great Britain And Ireland Mercury Minerva Peter Paul Peter Paul Rubens Rearing Rubens Sir Peter Paul Rubens The Connoisseur Villiers
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EDITORS COMMENTS
The Apotheosis of the Duke of Buckingham, c1900, (1936) captures the grandeur and power of George Villiers, the 1st Duke of Buckingham. In this side view portrait print, we see a black-clad male figure on horseback surrounded by a majestic array of animals and mythical figures. Villiers was an influential favorite of both James I and Charles I, holding immense political sway during their reigns. This image showcases his elevated status as he is depicted in regal attire with a flowing cape. The artist behind this masterpiece is none other than Peter Paul Rubens, renowned for his ability to capture dramatic scenes with remarkable detail. The composition exudes religious symbolism with references to various deities such as Minerva and Mercury. A sense of divine glory surrounds Villiers as he ascends towards god-like status. The print's publication in The Connoisseur magazine in 1936 further solidifies its significance within art history. This piece transports us back to the early 17th century when Buckingham's influence reached its zenith. It serves as a testament to his role in shaping England's political landscape during a tumultuous period marked by conflicts between crown and parliament. As we gaze upon this stunning portrayal, we are reminded not only of Villiers' extraordinary rise to power but also the artistic brilliance that immortalized him through Rubens' brushstrokes.
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