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France, Paris, Costume sketch for Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier

France, Paris, Costume sketch for Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier


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France, Paris, Costume sketch for Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier

Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Aida by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

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Media ID 9569737

© DEA PICTURE LIBRARY

Ancient Egypt Arts Culture And Entertainment Costume Dress Gesturing Headwear Human Head Indulgence Looking Away Luxury One Mid Adult Woman Only Ornate Performer Performing Arts Event Profile Rear View Stage Costume Stage Makeup Theatrical Performance Traditional Clothing Traditional Culture


EDITORS COMMENTS
This print takes us back to 19th century Paris, where the grand Salle Garnier witnessed a mesmerizing performance of Giuseppe Verdi's Aida. The costume sketch for this iconic opera was brought to life by the talented Pierre Eugene Lacoste in 1880. In this portrait, we see a full-length depiction of an elegant performer dressed in ornate traditional clothing from ancient Egypt. Standing with poise and gesturing gracefully, she embodies the essence of indulgence and luxury that characterized the arts culture and entertainment scene during that era. The profile view allows us to appreciate every intricate detail of her attire, which is adorned with exquisite craftsmanship. Her headwear adds an extra touch of opulence, while her stage makeup enhances her features under the spotlight. As our eyes follow her gaze away from us, we are drawn into a world where art meets reality. This illustration and painting perfectly capture the fusion between fine art and performing arts event that took place on March 22nd, 1880. Transporting us through time and space, this print encapsulates not only the beauty of one mid-adult woman but also represents a significant moment in history when stage costumes were elevated to works of art themselves.

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